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	<title>Comments on: C Culture</title>
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	<pubDate>Wed, 08 Sep 2010 04:56:01 +0000</pubDate>
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		<title>By: ArtTube: High and Lowbrow Art on YouTube &#171; the POPcalypse</title>
		<link>http://chrisjagers.net/wp/?p=393#comment-24901</link>
		<dc:creator>ArtTube: High and Lowbrow Art on YouTube &#171; the POPcalypse</dc:creator>
		<pubDate>Wed, 25 Apr 2007 08:41:43 +0000</pubDate>
		<guid isPermaLink="false">http://chrisjagers.net/wp/?p=393#comment-24901</guid>
		<description>[...] Article on the lack of internet video art due to ‘reproduction’…the article has some great replies to it also! : http://chrisjagers.net/wp/?p=393 [...]</description>
		<content:encoded><![CDATA[<p>[&#8230;] Article on the lack of internet video art due to ‘reproduction’…the article has some great replies to it also! : <a href="http://chrisjagers.net/wp/?p=393" rel="nofollow">http://chrisjagers.net/wp/?p=393</a> [&#8230;]</p>
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		<title>By: Bry</title>
		<link>http://chrisjagers.net/wp/?p=393#comment-9989</link>
		<dc:creator>Bry</dc:creator>
		<pubDate>Wed, 17 Jan 2007 00:51:43 +0000</pubDate>
		<guid isPermaLink="false">http://chrisjagers.net/wp/?p=393#comment-9989</guid>
		<description>Firstly thanks so much for this, I'm in the middle of writing my dissertation on the display of video art outside the gallery so naturally youtube has played a big part.

I think the main issue is an artist want to be credited for their work, and allthough sight like youtube and google video try to follow copyright rules, with so many videos being uploaded they can't possibly do it well. I've seen far too many 'filmed in a gallery' videos without any credit to the artist for my liking, it's a matter of respect. And as you say, yes it is good publicity to have your work shown all over, an in fact it's a major point of a lot of video artists work to be as accessible as possible but if the name isnt with the work then where is the gain for the artist? I think artists will (rightly) wait until there can be some real copyright enforcement policies until they start to take advantage of the internet as a medium and until then we'll all just have to get out from behind the computer screen and go to the damn gallery won't we.</description>
		<content:encoded><![CDATA[<p>Firstly thanks so much for this, I&#8217;m in the middle of writing my dissertation on the display of video art outside the gallery so naturally youtube has played a big part.</p>
<p>I think the main issue is an artist want to be credited for their work, and allthough sight like youtube and google video try to follow copyright rules, with so many videos being uploaded they can&#8217;t possibly do it well. I&#8217;ve seen far too many &#8216;filmed in a gallery&#8217; videos without any credit to the artist for my liking, it&#8217;s a matter of respect. And as you say, yes it is good publicity to have your work shown all over, an in fact it&#8217;s a major point of a lot of video artists work to be as accessible as possible but if the name isnt with the work then where is the gain for the artist? I think artists will (rightly) wait until there can be some real copyright enforcement policies until they start to take advantage of the internet as a medium and until then we&#8217;ll all just have to get out from behind the computer screen and go to the damn gallery won&#8217;t we.</p>
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		<title>By: Jason</title>
		<link>http://chrisjagers.net/wp/?p=393#comment-9103</link>
		<dc:creator>Jason</dc:creator>
		<pubDate>Wed, 10 Jan 2007 03:39:16 +0000</pubDate>
		<guid isPermaLink="false">http://chrisjagers.net/wp/?p=393#comment-9103</guid>
		<description>Didn't Benjamin start this conversation 70 years ago?  I only have a couple non-linear thoughts  1) The only things that adhere to logic less than artists are large boards 2) Artists must learn that while they can control how their work is shown, they can never control how it is experienced 3) Anyone who gets into video art for the money has already established themselves as irrational 4) Anyone who would rip a piece of art off, was not a prospective buyer anyway</description>
		<content:encoded><![CDATA[<p>Didn&#8217;t Benjamin start this conversation 70 years ago?  I only have a couple non-linear thoughts  1) The only things that adhere to logic less than artists are large boards 2) Artists must learn that while they can control how their work is shown, they can never control how it is experienced 3) Anyone who gets into video art for the money has already established themselves as irrational 4) Anyone who would rip a piece of art off, was not a prospective buyer anyway</p>
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		<title>By: greg.org</title>
		<link>http://chrisjagers.net/wp/?p=393#comment-9054</link>
		<dc:creator>greg.org</dc:creator>
		<pubDate>Tue, 09 Jan 2007 22:17:19 +0000</pubDate>
		<guid isPermaLink="false">http://chrisjagers.net/wp/?p=393#comment-9054</guid>
		<description>i've been interested in this aspect of video-based art for a long time, both as an observer and a collector. We have 14 television monitors in storage, all bought to meet the artists' specific instructions for various pieces. Annoying? a bit, but no more annoying than storing a sculpture. Part of being a caretaker of work like this is respecting the artist's own decisions for how a work is shown/experienced.  

Are some artists a little fearful or control freaky about their work? Absolutely, but maybe that's part of their makeup, their practice, or their conceptual framework. So be it, frankly. A selfless, generous soul would NOT have gotten The Cremaster Cycle made in the first place.

Museums are conservative by definition/mission, and beholden to artists' instructions for their works. For an artist who's seeking to sample, reference, or rework video art, all this means is it takes a bit of effort to secure bootleg copies of whatever you want.</description>
		<content:encoded><![CDATA[<p>i&#8217;ve been interested in this aspect of video-based art for a long time, both as an observer and a collector. We have 14 television monitors in storage, all bought to meet the artists&#8217; specific instructions for various pieces. Annoying? a bit, but no more annoying than storing a sculpture. Part of being a caretaker of work like this is respecting the artist&#8217;s own decisions for how a work is shown/experienced.  </p>
<p>Are some artists a little fearful or control freaky about their work? Absolutely, but maybe that&#8217;s part of their makeup, their practice, or their conceptual framework. So be it, frankly. A selfless, generous soul would NOT have gotten The Cremaster Cycle made in the first place.</p>
<p>Museums are conservative by definition/mission, and beholden to artists&#8217; instructions for their works. For an artist who&#8217;s seeking to sample, reference, or rework video art, all this means is it takes a bit of effort to secure bootleg copies of whatever you want.</p>
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		<title>By: Christopher Jagers &#187; MOMA, Video, and Websites</title>
		<link>http://chrisjagers.net/wp/?p=393#comment-8966</link>
		<dc:creator>Christopher Jagers &#187; MOMA, Video, and Websites</dc:creator>
		<pubDate>Tue, 09 Jan 2007 02:09:47 +0000</pubDate>
		<guid isPermaLink="false">http://chrisjagers.net/wp/?p=393#comment-8966</guid>
		<description>[...] MOMA now has a YouTube channel. I got excited when I first read this on Tylers&#8217;s blog, but I was naive. They only have two videos, and nothing from their own collection. No plans to post their collection either. Their videos are too good for that. I have previously posted about my frustration with the artworld falling so far behind contemporary culture. Why do so many refuse to make their content available online, why? To keep it safe from the internets? I&#8217;m curious to hear your theories. [...]</description>
		<content:encoded><![CDATA[<p>[&#8230;] MOMA now has a YouTube channel. I got excited when I first read this on Tylers&#8217;s blog, but I was naive. They only have two videos, and nothing from their own collection. No plans to post their collection either. Their videos are too good for that. I have previously posted about my frustration with the artworld falling so far behind contemporary culture. Why do so many refuse to make their content available online, why? To keep it safe from the internets? I&#8217;m curious to hear your theories. [&#8230;]</p>
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